A brilliant new translation of Koestler's long-lost original manuscript. A chilling and unforgettable 20th century classic. From a prison cell in an unnamed country run by a totalitarian government Rubashov reflects. Once a powerful player in the regime, mercilessly dispensing with anyone who got in the way of his party's aims, Rubashov has had the tables turned on him. He has been arrested and he'll be interrogated, probably tortured and certainly executed. Darkness at Noon is as gripping as a thriller and a seminal work of twentieth-century literature. Published in Great Britain in 1940, it was feted by George Orwell, went on to be translated into thirty languages and is considered the finest work of pre-eminent European master, Arthur Koestler. And yet the novel's worldwide reputation has, for over seventy years, been based on the first incomplete and inexpert English translation - Koestler's original manuscript was lost when he fled the German occupation of Paris in 1940. In 2016, a student discovered that long-lost manuscript in a Zurich archive. At last, with the publication of this new translation of the rediscovered original, Koestler's masterpiece can be experienced afresh and in its entirety for the first time. THE NEW TRANSLATION BY PHILIP BOEHM

Winner of the 2020 Helen and Kurt Wolff Translation Prize The Fox and Dr. Shimamura toothsomely encompasses East and West, memory and reality, fox-possession myths, and psychiatric mythmaking. As an outstanding young Japanese medical student at the end of the nineteenth century, Dr. Shimamura is sent-to his dismay-to the provinces: he is asked to cure scores of young women afflicted by an epidemic of fox possession. Believing it's all a hoax, he considers the assignment an insulting joke, until he sees a fox moving under the skin of a young beauty... Next he travels to Europe and works with such luminaries as Charcot, Breuer and Freud-whose methods, Dr. Shimamura concludes, are incompatible with Japanese politeness. The ironic parallels between Charcot's theories of female hysteria and ancient Japanese fox myths-when it comes to beautiful, writhing young women-are handled with a lightly sardonic touch by Christine Wunnicke, whose flavor-packed, inventive language is a delight.

Anna Janko's mother watched as her whole village was destroyed and her family murdered in 1943. She passes the trauma of the event onto her daughter, and A Little Annihilation bears witness to both the crime and its aftershocks - the trauma visited on the next generation - as revealed in a beautifully scripted and deeply personal mother-daughter dialogue. As Anna fathoms the full dimension of the tragedy, she reflects the memory and loss, the ethics of helplessness, and the lingering effects of war.

For My Children And Grandchildren This book is dedicated to my wonderful children and grandchildren, and of course to any new and special additions that may still come our way. I hope through these stories, my grandchildren will be able to share in the magic of their parent's childhood, in the same way that their parent's are now sharing in theirs. And in the most special way, it is dedicated to Sammy and Bumpers. Two incredible little squirrels that made the stories in this book come to life. It was the magical adventures that Scooter and Buzzy Bear had with Sammy and Bumpers that made these stories possible. I was lucky enough to have witnessed all that follows.

For My Children And Grandchildren This book is dedicated to my wonderful children and grandchildren, and of course to any new and special additions that may still come our way. I hope through these stories, my grandchildren will be able to share in the magic of their parent's childhood, in the same way that their parent's are now sharing in theirs. And in the most special way, it is dedicated to Sammy and Bumpers. Two incredible little squirrels that made the stories in this book come to life. It was the magical adventures that Scooter and Buzzy Bear had with Sammy and Bumpers that made these stories possible. I was lucky enough to have witnessed all that follows.

After Midnight the Shark Bites A voice intrudes the darkness spites With every thought death confirming it's there Denied in this moment but a presence now shared In the early morning hours a raw voice woke up inside me At its own pace, and delivering in paired lines, it forced itself onto the page The words it spoke inside my head, as couplets, came alive and danced To a music, only the early morning hours could play

After Midnight the Shark Bites A voice intrudes the darkness spites With every thought death confirming it's there Denied in this moment but a presence now shared In the early morning hours a raw voice woke up inside me At its own pace, and delivering in paired lines, it forced itself onto the page The words it spoke inside my head, as couplets, came alive and danced To a music, only the early morning hours could play

For over forty years Kurt Philip Behm has lived within the magic of the 'Perpetual Present.' It has inspired all of his writing, and has allowed him to both see and write about the truth contained within every moment. Once acknowledging this truth within himself and accepting its presence, he started an inward journey that 'time, ' and its deceptive handmaidens, the 'past' and 'future, ' would have only denied. His message is to live not only for today, but this very moment, knowing that this moment is all that we have, have had, or will ever have again. Living within the magic of its 'Perpetual Present' will then free our souls, guiding us on a path toward becoming all that we were truly meant to b